Assignment (primary research required) Essay Example | Topics and Well Written Essays - 3000 words

Assignment (primary research required) - Essay Example This report explores the application of theoretical concepts of small business management in particular the issues surrounding marketing aspects of small businesses and the strategies that need to be adopted with particular reference to the restaurant industry. A primary study was conducted involving a family restaurant. The purpose of the research was to explore how successful small business entrepreneurs apply theoretical concepts of small business management such as marketing to their businesses. The findings suggest indicate that marketing is perceived as a means to build customer awareness about the enterprises and offerings. It was also found that application of marketing thoughts and practices are useful for profitability of the firm, but are constrained by lack of resources. Contents Abstract ii Contents iii Table of Figures iv Photo credit iv Managing Small Business Marketing 1 1. Introduction 1 1.1 Significance 1 1.2 Aims and objectives 2 2. Literature Review 2 2.1 Definiti on of small business 3 2.2 Marketing and business orientation 3 2.3 Marketing mixes and approach to marketing 4 2.4 Customer acquisition in small businesses 5 2.5 Customer relationship management in small businesses 6 2.6 Summary of critical review 8 3. Primary Research 8 3.1 Interview with owner manager 9 3.2 Findings 11 4. Discussion 11 5. Conclusion and Recommendations 12 5.1 Recommendations 12 The researcher also recommends that further studies may be undertaken to reveal the difference in the levels of success of small businesses in terms market share and profitability caused due to implementation of marketing principles and techniques. 12 References 13 Table of Figures Figure 1: EU Classification of enterprises 3 Figure 2: Small businesses usually follow the bottom-up marketing approach 5 Figure 3: Observations from literature review 8 Photo credit Cover page photo: http://www.oxfordrestaurantguide.com/gees/ Managing Small Business Marketing 1. Introduction The small business sector is a major contributor to the economy in many parts of the world. In the year 2000 the sector in the UK comprised approximately 3.7 million small firms, majority of which were micro businesses, of which 66 per cent were either run solo or self-employed people (Fraser & Thompson, 2011). Twenty-five per cent of these had less than 10 employees. These figures are growing steadily. The UK government believes that â€Å"the health of the economy requires the birth of new enterprises in substantial numbers. We cannot assume that the ordinary working of market forces will necessarily preserve a small firm sector† (Fraser & Thompson, 2011, p. 29); and considers it to appropriate to intervene in proliferation of small business. There are however other reasons for phenomenal growth of small business as, (1) free market economy; (2) control by large firms; (3) spirit of individualism; (4) growth of IT; (5) growth of niche marketing; (6) growth in service sector; and (7) unemploym ent. 1.1 Significance In the UK small businesses contributed a significant 25 per cent of total private sector employment. Their combined turnover represented almost 20 per cent of the total turnover of the private sector. Small business firms employing fewer than 50 people accounted for 9.5 million jobs

Article Public Opinion of Police by Different Ethnic Group Essay Example for Free

Article Public Opinion of Police by Different Ethnic Group Essay Down though the years there has always been tension and an on and off relationship between the community they serve and law enforcement agencies. And as with any relationship between two people there are misunderstanding, break-up and disagreements and the same is with the relationship between the community and its law enforcement agencies but just with any relationship at day’s end both the community and law enforcement have and share common concerns such as justice and deterrence. With many of communities in America being incursion of immigrants within the last few decades; with this incursion of immigrants many communities are being bombard with so many new language and cultures diversity. Because of this wide range of ethnicity now living within many the walls of our communities and society on a whole now have different opinions and views of law enforcement. Now due to the various ethnicities flooding our communities the author will investigate how a few of these ethnicity groups like: African Americans, Asians and the Hispanics neighborhoods views racial profiling, discrimination and past experience with law enforcement agencies. Taking a look at the traumatized relationship and association between the two, as well as the interaction and reaction from the law enforcement agencies and the communities they serve. Since the conception of the law enforcement agencies race has long since been a vital playing card in policing. Even with the knowledge, awareness and understanding of this there has been some improvement but not enough. Racial opus of law enforcement alongside the racial outline of arrest, the raise in the number of arrest of non- minority like â€Å"Caucasian† by non-white law enforcement officers, while there were lower numbers of arrest by the same officers on other ethnic groups. On the flip side of that coin, more. â€Å"Caucasian† officers had a boost in the number of non-white arrest in comparison to the number of arrest involving â€Å"Caucasians†. Race has been a polarizingelement the in the society of America for years. And this is every so prevalent within the criminal justice system. Clashes involving both the communities and law enforcement are the flashpoint for practically every current inner- city riot. Ethnic Groups The raise of culture variety and immigration has from time to time made interaction with law enforcement difficult. Hispanics and Asian neighborhoods are often apprehensive of law enforcement officers due to their past occurrence. Their past incidents vary from their motherland of origin that was overwhelmed by civil unrest and war. This included exploitation of power by those of authority as well as much dishonesty within law enforcement agencies of that country. For this cause many minorities groups have a apprehension and more often than not an aversion to law enforcement officers. Like within the Hispanic neighborhoods, they often feel that law enforcement agents differentiates them by racial profiling them all because of their nationality. In Arizona this is a very contentious SB 1070 unlawful migration bill that passed given law enforcement agents the power and authority to inquire of certain individual (Hispanic) of proof of documentation of legal right to be in America. This law is being adopted in other states as well like New Jersey and Texas, any where there is a high population of Hispanics. IthasbeenreportedbytwoethnicgroupsAfricanAmericansandHispanic/Latinos affirm subordinate levels of agreement concerning their relationship with police officers as compared to those of their counterpart â€Å"Caucasians†. African Americans and Hispanic/Latinos claims that there is less willingness to obey and to follow orders given by authorities especially of Caucasian origin. Racial profiling has consistently been one of the most confounding, divisive and controversial issues the police department confronts. A perception that police target members of specific ethnic or racial groups creates a deep divide between the police and the communities we serve. But as an officer who has spent a lot of time patrolling the citys streets, I just dont think the perception is accurate. (Dutta, 2010) True racial profiling, in which people are targeted solely because of race or ethnicity, is both illegal and immoral. It destroys public trust and reduces the effectiveness of the police. There is no place for it in law enforcement. And I firmly believe that most LAPD officers support that viewpoint. Even the reported statement of the officer that he couldnt do his job without racial profiling was most likely misinterpreted. (Dutta, 2010) Differentiation between minorities and Caucasians is how they relate and response to law enforcement agents and how fairly or unjustly he or she feels their treatment was. This is a how many African Americans and Hispanic/Latinos responded when asked by authorities regarding their relationship with law enforcement agencies this is less equality than when Caucasians reported.

Chronotopic Identity In Invisible Man English Literature Essay

Chronotopic Identity In Invisible Man English Literature Essay Ralph Ellisons Invisible Man is a novel of deliverance from darkness to light, a resequencer of cognitive awareness and differential patterns of conformity. It rejects imitation, deeming it as nothing more than a form of limitation, a burden hampering the doctrine of artistic creation. The novel appeals to the indirect participation of its readers in determining the mechanisms which constitute a collective conscience, a moral voice which communicates for us and through us. The author commits to his duality as a mainstream educated, patriotic American insider and his often frustrating position as a repressed minority, a victim persecution, the racial outsider. His status has the potential to propagate a significant amount of perceptual liberation as he is granted insight, unrestricted access into both fundamental facets of the American cultural construct. Ellison is an outspoken denouncer of extremism in all of its forms and manners of content, placing great emphasis on accurate depictions and justifiable service control, banishing impulses or other manifestations of emotion which tend to either embellish or diminish the narrative. The novel functions by utilizing a strong internal voice attempting to claim the spoils of jazz and random materialization of captured imagination. Generating the narrative voice is not however an entirely independent endeavor as Ellison must preoccupy himself with exhibitions of intent that mark familiarity in terms of style, character development and literary form. He manages to capture random synchronicities in the fabric of language and tame them under the banner of intention and literary design. Language is thus able to ascend to a tier where it is no longer restricted to simply expressing ideas; it begins to generate independent thought, become the forger of identity as an instrument of both creation and deception. From this standpoint, one is almost obligated to view Ellisons writing as an act of patriotism and national pride. But he is by no means a celebrator of the founding fathers or other such bribers of destiny. He bows to the common man, the carrier of tradition and the giver of love and enlightening humanity. Powerful men are perceived as the enemies of equality and freedom inside the American experiment. This pseudo-communist view and manner of interpreting deeds, individuals and events will trigger an internal conflict inside the mind of Ellison himself who viewed communism as a corrupt and bankrupt ideology and treated it as such, indirectly of course through his portrayal of the Brotherhood in Invisible Man. The perception of Afro-Americans is modulated to encompass not only their immediate predicaments, but also the trigger-elements of their past that had obstructed their development as a group and as individuals. Slavery is the key element inside a shameful national battlefield whose remnants still included segregation, unwarranted racial presuppositions and a lack of equal opportunity and respect. Yet Ellison does not let rage or Black Nationalism get the better of him. His solution for mending the hearts and minds of all parties involved is based on love, tolerance, affirmative action, exploring the elements that unite us rather than embracing those which have the capacity to tear our shared humanity asunder. Ellison is one of Americas gatekeepers of moral history. His influence on the Afro-American novel and the American novel as a whole may have hastened the emergence of the Civil Rights Movement. He carried inside his writing the intellectual turmoil of his generation and set the standard for a new moral and artistic comprehension of 1960s America. His objective was not to portray a coherent image of individual identity, or of black identity but the identity of the American rainbow, the melting pot of intimidating complexity. His verbal flow and communicative fortitude served as a release valve for the creative energies of his countrymen. The great American writer acknowledged Faulkner, Melville or Hawthorne but above all he paid homage to the almost sacred pieces of paper (the Constitution and the Bill of Rights) which had dictated the moral imperatives shaping the beautiful destiny of his beloved America. His patriotism was not uncommon for an individual living in 1940s and 50s Ameri ca; what was oddly inspiring however was the fact that he managed to unreservedly love a country that had at times rejected and humiliated him because of the color of his skin. Invisible Man is a novel of trust and belief in the ideals for which America stands. Had it not been for Ellisons patriotism and trust in Americas pledge of liberty and justice for all his novel would never have been written; because despite his faà §ade of irony and pessimism Ralph Waldo Ellison is a true believer that change will come, that he himself can make a difference through his work and generous humanity. The novelists responsibility and debt to society cannot be overlooked or ignored towards the realm of perdition. Both form and content must coexist and serve the authors creative infrastructure, a convergence hub where literature and democracy become intertwined creating not only mentally endowed characters but also intelligent, opinionated citizens/readers who have the courage and mental clarity t o change society for the better. Imagination does not run its course individually and independently. In Invisible Man for example it responds to the needs and compensative prerequisites of American life. This complex and immensely creative subroutine of the human mind governs the flux of the yet undiscovered or under-discovered recoils of fate, regulates preoccupations of solitude fills in the blanks of our existence as all true creation begins with imagination and if we seek to better ourselves we must first envisage it with our minds inner eye. The protagonist in Invisible Man is meant to become the perfect American citizen but he is still in beta testing. A more congealed version is set to surface after the author has fully experimented with his test dummy and exhausted all potential behavioral simulations generated by his mental resourcefulness. The final version of the character should be very astute in reflecting not just destiny or possibility but also Americas variations and complexity, referring here of cou rse to its cultural heritage, racial, gender and class interactions. Invisible Man must not be approached solely based on its intrinsic value. Like any work of art its dedicated objective is to move, transport or transform even abstract concepts such as democracy or perceptions of freedom. Ellison was well aware of this reality and also mentally converged on the topic of control by the artist versus the readership over the resulting cultural product: the work of art begins to pulsate with those meanings, emotions, ideas brought to it by its audience, and over which the artist has but limited control (Ellison qtd. in Callahan 1995:94). After setting in motion multiple perspectives dealing with creation as an act of control, he attempts a power play through which the author must fully detach himself from his work, set all personal subjectivity aside and become his own personal appraisal specialist by taking on the role of the reader who must objectively assess a work in progress. This creative method is deeply rooted in imagination, and the ability to i mmerse oneself inside a fundamentally different role caresses the realm of empathic intelligence, setting about to comprehend the hidden truths behind socially assigned roles and adaptive, intellectual democracy. The rampant success of Invisible Man ignited a vast whirlwind of undignified criticism and unwarranted, feeble justifications. The fact that the book was well ahead of its time concerning matters of race, gender or social affiliation caught the attention of many critics of that time who were unfortunately locked inside a limited mindset, unable to comprehend a visionary such as Ralph Ellison. They interpreted the defiance of norms, categories and labeling as nothing less than literary, social and cultural heresy. The random, free-flowing, fluid literary style Ellison had perfected from his adaptations of jazz was also deemed precarious, seen as lacking in consistency and proper planning. The writer justly and calmly defended his novel, explaining, justifying and clarifying all issues related to his novel regardless of time constraints or argumentative relevance. His eloquence and patience as well as his ability to enhance predictions partaking in an astonishing pre-revelation of the American collective eventually earned him the praise, respect and recognition he most undoubtedly deserves. The novel comes as a response to a creative higher calling, a repayment of spiritual debt, a brave statement of honor and dignity. Ellisons working notes and letters have rendered clarification relevant to the conceptual and structural apparatus behind Invisible Man. The first part of the Working Notes analyses not only the causes of invisibility but also its subsequent manifestations and the impact it has on all parties involved. He uncovers two main sources of invisibility which are strongly rooted in the American cultural paradigm. The first generative element of invisibility is human nature itself. Man is instinctually pre-programed or pre-conditioned to interpret all physical, mental or spiritual differences as signs of inferiority and potential threats. This unfortunate reality enforces unnecessary clustering and segregation, separation and even conflict. Invisibility is not only a prerogative of race, gender or religious orientation. Individuals have often found themselves in a state of conflict or just ignorance because of trivial differentiations such as being from another city, speaking with a slightly different accent or supporting a different sports team. The conclusion is that no matter how small or big the differences, people are more than willing to surrender their personal identity to that of their respective arbitrary collective. They incapacitate themselves from seeing members of the rival faction as fellow, kindred beings and embrace a path of antagonism and dismal competition. The second factor of invisibility would be what Ellison identified in his notes as the great formlessness of Negro life. Cultural values here are highly volatile and exposed to a continuous stream of transformation and evolution. Afro-Americans are also subjected to often debilitating and diverse hardships from which only powerful individuals emerge with their personality, identity and sanity intact. Therefore it is difficult to create a stable, visible version of oneself inside a shifting and diverse ethnic universe whose objective is to heap disorientation rather than provide a marginally functi onal moral compass. The issue of compromise has largely gone unseen in the novel. On the surface it is a concept or deliberate lack of action which leads to a passive resolution of conflicts. Taking a more in-depth look however reveals that compromise merely postpones a brutal reaction or conflict. This method leads to the accumulation of tension, an overwhelming increase in the parameters of rage and self-loathing. Compromise draws its energy not from wisdom but from weakness because the truly powerful do not compromise they just make merciful enlightened concessions from time to time. The unnamed hero in Invisible Man joins the Brotherhood and later serves its nefarious plans not out conviction but out of necessity. This ruthless left wing organization which is nothing more than a literary expression of the real life Communist Party uses the main character as he allows himself to be manipulated. He catches rare glimpses of what goes on behind the curtain but he refuses to see and acknowledge the truth . And herein lurks his predicament: the truth cannot and will not set him free, not the weakened version of himself anyway. The truth always reaches everyone no matter how strong or elaborate the deception might be, yet it is always meant for those who have the power to accept it. Weakness and compromise can also lead to the dissolution of family values. The protagonists sexual indiscretions with a married woman are overlooked by her husband in the interest of politics. The fact that there is no vindication for this dastardly act confirms that our character is indeed for all intents and purposes invisible and also that modern day society is severely dehumanizing as under the false and frail mask of a pseudo-enlightenment a man is forced to himself find, accept and provide justification for adultery and sentimental betrayal. Devising his female characters spawned a great deal of compromise for Ellison himself. Most women in the novel are depicted as prostitutes or secret agents of deception and misrepresentation. Mary Rambo is the only positive female character in the novel, a nurturer, a benefactor for the protagonist, a mother figure. Despite all her qualities however she can never be a true partner for the invisible man as she utterly lacks eroticism or passion. She cant complete him; she can only tend to a limited amount of wounds. From Ellisons Working Notes we are made aware of what could have been the unnamed characters significant other. Sadly enough she never made the roster. Louise was envisaged as seductive, charming the flagship of American ideals of freedom, democracy and fertility. Her relative perfection sort of defeats the purpose of the whole novel. The main character must be assaulted, tested and prodded from all directions. His hardships are transformative, motivating, the defining ini tiators of his true identity. Give him love and redemption and you might end up with a Garfield-type character, too lazy and unwilling to seek transformative confrontation. So sadly enough we ended up with good old Sybil, Ellisons little compromise, who happens to have a bad case of jungle fever and whom the main character regards as nothing more than an obstacle and possibly a source of non-essential information. The end of the novel commandeers a corpus of interactive integrity where Ellison appeals to both novice and specialized readers. He reveals the representative voice of his narrative, a raft of hope carrying with it the encoded pride of our shared humanity: Being invisible and without substance, a disembodied voice as it were, what else could I do? What else but try to tell you what was really happening when your eyes were looking through? And it is this which frightens me: Who knows but that, on the lower frequencies, I speak for you? (Ellison, 1995:581) 1.3. Ralph Ellison: Between Addiction and Tradition Ralph Ellison underscores the linkages and connections between Afro-American Culture and mainstream American culture, based on a hope of potential synergy, choosing to disregard arbitrary bonds of restrictive servitude. The limitations to his method are very few as he manages to create new worth through the exploration of the infinite possibilities conferred by folk tradition, jazz or the tales of old. He promotes his narrative as a stable and truthful presence in the discontinuous, swiftly changing and diverse American culture. His body of work expresses a blues-like absurdity in accepting a personal desire to defy limitations, seeking not simply a portrayal of tradition, but a translation, a decryption of its wider, more precise meanings. Ellisons blues attest to the agony of life and the distinct possibility of overcoming all adversity through sheer wealth of spirit and desire to carry on by using pain as a catalyst rather than succumb to its destructive charms. Several essays in Shadow and Act call attention to the purpose of folklore and its inner workings, as they strive to preserve the repeated situations that had once formulated the existence of a well-defined group of individuals, capturing the beauty of thoughts and emotions. The wisdom and spiritual wealth of a group, its symbols, icons and heraldic legacy and ultimately its desire to live long and prosper, generated according to Ellison, an essential truth which captured the spirit of all blacks. Folk symbols can utterly annihilate time through their simplicity, and an entire culture can revolve around a raw image, a universal rhythm. When addressing the black experience Ellison is a firm believer that folklore confirms the Negros willingness to trust his own experience, his own sensibilities rather than to permit their oppressors and masters to decide these fundamental things for them. Folklore therefore becomes not only a source of cohesive identity but a resource for freedom as w ell. Black American folklore functions as an integral part of American and Western culture. Ellison recognizes the merits of a black tradition in confronting new American and global issues, by extracting from life new and profound definitions of joy. Black culture makes wide use of characters who represent folk cultural archetypes functioning inside a wider context of strategic symbology, representing various forms of art, music, religion or folk poetry. In Invisible Man the characters provide contrast and conflict with the lost nature of the invisible narrator who hovers above the storyline observing and sometimes triggering events which consolidate the narrative drive. The slave woman appearing in the prologue is meant to confirm centuries of victimization and hardships, and announce a propulsion towards embracing and understanding freedom. The grandfather who appears several times throughout the novel is a toxic character. He embodies the ambiguity of the past, a monument of bitterness and spiritual limitation which can have potentially crippling and debilitating consequences. The old mans gregarious survival strategy of allowing the so called self-destructive nature of the white man to run its course confirms a false and contagious grasp of what is real and functional. His yessing strategy worthy of the great Napoleon himself has nearly fatal repercussions for his grandson who adopts the strategy of his elder not out of belief but out of confusion and desperation. From a cultural point of view Invisible Man only has two characters who encompass both folk and contemporary black tradition: Trueblood and Mary. Jim Trueblood is on a very basic level an expectant father, a family man, a maker and supporter of life. Yet he is also a rapist, a pedophile and a performer of adultery and incest. The sins of this father cannot be justified through oniric dementia. His heinous act does not prevent him from finding redemption through music: I looks up and sees the stars and I starts singing. He also reaches a very dangerous Popeye the Sailor type conclusion, an empty statement that allows justification for just about anything I aint nobody but myself. Putting aside the repugnant nature of this character one cant help notice that he is deeply rooted in tradition; his humor, storytelling and manner of speaking exemplify the turmoil of his ethnic, racial and social legacy. Trueblood is also a part of Western tradition. He acknowledges his weakness and the sins of the flesh and in his twisted way he tries to be a family man: Im a man and man dont leave his family. From a psychological standpoint, Truebl ood is part of the Western tradition of incest entering the realm of Freudian psychoanalysis and dream interpretation. Mary Rambo is the only character in Invisible Man whom Ellison depicts in a positive manner. All other women are either prostitutes, crazy, sexually deviant, manipulative or lack a moral compass. Mary however is a kind, nurturing individual with a tremendous potential to eliminate the pain and suffering of those around her. She benefits from a robust humanity deeply anchored in the beauty and common sense of folk wisdom and time honored traditions. This female character manages to perfectly integrate into the crazy life of the metropolis without abandoning her individual complexity. She is never tainted by what festers around her and remains true to her pure and genuine calling. Ellison is able to comprehend both the splendor and the horrific nature of black culture. He uses language for example as a verbal facilitator for the most noble of human thoughts. The rich language of the South, the blooming spoken word of the North, the joyful verbal flow of 50s Harlem are all pitted against the ability of language to manipulate, to control, to create riots and inspire fear. Folk traditions, associated with other mechanisms of human comprehension, invite both the writer and the reader into the intimate life of blacks in America, allowing us to discover and observe them in celebration or tribulation, gripped by bliss alongside family and friends or in their darkest hour of need. Ellison employs cultural tradition without overusing external connections. His dramatic recoil is often based on a system of illusions which in the end exposes the betrayal of blackness while at the same time expounding a traumatic treatment of folk values. Folklore does not exist for its own sake. Its governing principle is to override futility within the confines of strict thematic structuralisation and dramatic undertones. Ellisons conceptual apparatus overpowers outdated representations of the southern folk community deeming them obsolete and leaning towards a more pre-individual approach to the matter at hand. He accomplishes an in-depth look into the mind of the individual or their respective collective. His characters are by no means nonsentimental or monosentimental, exploring previously untapped levels of the Afro-American psyche, reaching a point of cognitive no return. This tinkering about with both collective and individual representations of black society is done with flair and a great deal of humor and irony and herein lies the intrinsic value of Invisible Man. He makes the exploration of personal and group identity appear simple, natural and free flowing. Ellison has a very firm grip on the obvious and strives to implement cultural representations bearing in mind the potential of folklore to bring forth both enlightenment and spiritual unease. His intention is not to call down the proverbial thunder on the established order of perception as he is by no means a revolutionary writer. The milestone he sets out to complete is simply to interconnect Western symbols and mythology with black culture and folk wisdom in the hope of understanding and accepting the rules that govern this particular paradigm. Ellisons connection to the West, the systemic support in Invisible Man, offer an almost mathematical precision between creative consistency and cultural pronouncements. Larry Neal credited Ellison with a broad spectrum of theoretical sense, an intimidating corpus of knowledge regarding the explosive tensions underlying the Black mans presence in the United States. (Neal, 1968:9) Invisible Man resonates as a powerful pledge which is fully committed towards grasping the depths and complicated splendors that forge the definition of blackness. Ellison appears hungry to exploit the functions and dedicated objectives of language. He is not burdened by his cultural responsibility, but rather he views it as a method of release, embracing a higher calling of both a universal writer and a black writer. His hunger for definitions, the study of mannerisms and collective deductions stake their claim on a narrative that is offered with apparent ease and an almost godlike understanding of the black condition. There is music and ease behind his equanimous imagination and desire to embrace the noesis of his forefathers. A clinical presupposition would therefore entail an absolute independence inside the creative laws which define his conceptual apparatus. His examination of blackness though perfectly expounded and formulated is not without precedence. William Faulkner laid t he foundation for Ellison through a manifold of emblematic devices and astonishing accomplishments in capturing the proverbial zeitgeist of the South. Although Faulkner asserts himself as the deepest of the southerners, a larger than life communicator through symbols, Ellisons work should not be misconstrued as imitation or worse, as being written from an anxiety of influence. Ralph Ellison is an adequately developed writer, one profoundly original writer who is able to provide us with fresh new insight into Afro-American culture. His tree of literary knowledge casts a large enough shadow enabling him implement a black focus that gathers success in its encounters with an audience immensely appreciative of his creative undertakings. Ultimately Ralph Ellison produces a genuine and stimulating complexity when it comes to writing based on Afro-American culture and folk traditions. He commandeers cryptic messaging, appearing almost intoxicated with the power of his own written word and duty towards creative instruments of mental debt and depth. Folk tradition for Ellison is not proliferated as an end in itself, the author is severely self-conscious and bewildered by the overwhelming merits of simple traditions that have stood the test of time and enabled their carriers to maintain a coherent sense of identity. True folk forms provide us with a celebration of life, a righteous use of the flexible service instruments which fuel hope in the name of tradition, a proud remembrance of the past that is bound to secure the future. 1.4 Chronotopic Identity in Invisible Man Mikhail Bakhtins systemic apparatus of emblematic devices comprises cognitive depths which function beyond arbitrary boundaries of simple cultural relevance. Therefore applying Bakhtinian mechanisms of comprehension to Ralph Ellisons Invisible Man is a fully warranted undertaking encompassing both structure and a stern analysis of desirable and justified content. Bakhtins conceptual framework can be held accountable for altering cultural realms outside its borders of encounter, supplementing external ideas, improving and completing them. All disseminated elements are interconnected, lacking in explicit manifestation, adhering to implicit introduction and dialogic confrontation. Bakhtin asserts that no work of literature can exist as a separate, independent entity. Any literary text is in a state of flux, maintaining communication with other literary voices or streams. The influence can reside in imitation, modular transformation or adaptation, or even rejection which is nothing more than a reversal of method. A text is always informed by other texts and at the same time it has the duty to inform its readership. The connection between two texts is by no means constrictive or parasitic in nature. Its symbiotic orientation capitalizes on interdisciplinary dialogue and voice structure, honoring social complexity and linguistic wealth: The internal stratification of language is a prerequisite for the novel. The novel orchestrates all its themes, the totality of the world of objects and ideas depicted and expressed in it, by means of the social diversity of speech types and by the differing individual voices that flourish under such conditions. The links and interrelations lead to the novels heteroglossia and dialogization. (Bakhtin, 1981: 263) Identity formation, cultural memory and religion are paramount in the understanding of blacks and whites not as mere individuals but as complex, interconnected cultural entities. Bakhtins approach is atemporal and universal, allowing us to not only see or understand Afro-American culture but also to expand its deeper meanings, adapt and improve our own culture, enable a positive cross-cultural contamination by upgrading our shared humanity and collective heritage. Certain Bakthinian matters of interest such as power and control, materialism, (re)structured social and ethnic relations, dialogism, spatial and temporal paradigms provide the necessary competence to outline patterns of relevant functionality in Invisible Man. Ralph Ellisons displays a considerable amount of dialogic audacity as a method of integrating social strategies in his novel. His principles are governed by mental alacrity and argumentative observations which often foster resentment and playful overtones of deceptive chaos. Ellison and Bakhtin possess a dedicated, shared infrastructure, a common ground where their variations in discourse can become intertwined and intervene in the establishment of philosophical augmentations and consistent power structures. The boundaries between the two become nothing more than non-cohesive, penetrable conventions which allow transcendent voices to define the desires of randomly assigned trust and determination. Envisioning Invisible Man as a Bakhtinian novel one cant help but detect the ubiquitous Carnivalesque elements of perception which generate and govern the social environment. The Carnival entails a state of absolute liberation and subsequently a state of pseudo-anarchy, capricious libertinism and equality. It exists outside political, economic and social restrictions, suspending the status quo, living up to ideals of randomness and improvisation. It is a festival which celebrates the annihilation of individual hierarchies and the dismemberment of forged and unjust equilibriums. There is little room for political ambitions or extravagant portrayal of mediocre deeds. The Carnivaleque is a counter reaction to those abusive systems which strive to acquire our humanity with thirty pieces of our own silver. Another essential Bakhtinian concept that is of great importance to Invisible Man is that of the chronotope. Time-space describes the dual matrix behind the emergence of Ellisons novel, understanding both history and the topos on which it occurs. Ralph Ellison bends time to his liking offering nonlinear and often simultaneous projections engaging the readers attention and selective intelligence, inviting him to experience: [A] slightly different sense of time, youre never quite on the beat. Sometimes youre ahead and sometimes behind. Instead of the swift and imperceptible flowing of time, you are aware of its nodes, those points where time stands still or from which it leaps ahead. And you slip into the breaks and look around. (Ellison, 1995:8) This enigmatic passage distorts the accepted perception of time, offering a multilayered temporal construct which seeks to achieve transference of control while at the same time generating a climate of insecure reclusiveness and underprivileged substantiations of unclear history. The chronotopes initial manifestation in Invisible Man is done through the use of the fictional present. We are informed with great equanimity and familiarity that the narrator dwells in a coal cellar which is designed as a cocoon of self-banishment, an in-between world, a self -imposed Purgatory from which he can be emerge a new man, ready to confront his previous oppressors and the flawed systems that had spawned them. Time here contracts fissuring the containment of common meanings, creating a brave new nexus of darkened topography and supporting a cronosphere of intimidating and deliberate variation. The chronotope is the fulfiller of tradition, an astute element/method which defines our sense of community and social history. According to Mikhail Bakhtin, The chronotope is where the knots of narrative are tied and untied []. Time becomes, in effect, palpable and visible; the chronotope makes narrative events concrete, makes them take on flesh, causes blood to flow in their veins []. Thus the chronotope, functioning as the primary means for materializing time in space, emerges as a center for concretizing representation, as a force giving body to the entire novel. All the novels abstract elements philosophical and social generalizations, ideas, analyses of cause and effect gravitate towards the chronotope and through it take on flesh and blood, permitting the imaging power of art to do its work. (Bakhtin, 1981, 250) Time and space are inextricably intertwined with respect to the fundamental acknowledgement of uni

Cyberpunk on the Web Essay -- Websites Internet Design Essays Papers

Cyberpunk on the Web Finding information on the World Wide Web can hardly be called troublesome; most of the time it's as easy as clicking a button. However, finding information that one would consider good or visually appealing seems a more difficult task. Many times web designers throw meaningless fluff onto the medium, not bothering to think about the cleanliness of the work or the aesthetic value of the overall creation. The World Wide Web holds more than just data, it holds images; images intertwined with the information to build a lasting image of the work. Web pages should convey an idea quickly and efficiently, either through good writing or visual aids, and should not confuse the user with misleading images and phrases. Also, web pages should not be bulky; that means that they should be small and direct, not embedded with huge images that would ordinarily tax even the speediest of data lines. The Cyberpunk home page, a personal page located at the URL http://www.cs.uidaho.edu/lal/cyberspace/cybe rpunk/cyberpunk.html, excels in its computational efficiency. In regards to the visual and informative aspects of the page, however, the Cyberpunk page falls short of perfection. The Cyberpunk home page is not commerical in nature. Rather, it is maintained by Luke Shenman, a student at the University of Idaho. Some would argue that because it is not a commercial page, it should not be evalutated by the same criteria as a commercial page. However, there are many personal pages that, judged alongside commercial pages, would rate higher marks. Commercial enterprises who have a presence on the Web don't know why they're there, but they know that they should be. Many personal pages, though, are created by designers who have expe... ...rown together with haste, and it shows where things were haphazardly placed. The page needs housecleaning, and badly. Overall, I'd say that The Cyberpunk page could use a lot of work. A nice background to start with, but not necessarily a "nice" background. Rather, a harsh background would convey more of the point of the cyberpunk movement, as well inviting the user to explore the genre. Reorganization of the subheadings and some tightening of the text would benefit the work greatly, with some parts of the first page moved to subsequent pages with more elaboration. A new title image, conveying the harshness of the cyberpunk psyche, would be a good way to start off the page. Finally, some images of cyberpunk characters and fiction would brighten up the page while still gently prodding the user toward the information, which is the whole point of the World Wide Web.

Is Gambling Good? Essay -- essays research papers fc

  Ã‚  Ã‚  Ã‚  Ã‚  After many years of being confined to Nevada, the gambling industry has started appearing in new locations. Of course, this is expansion is not supported by everyone. In some locations, the government allows casinos on Indian reservations and â€Å"river boat casinos.† Certain governments, such as the state of Nevada, allow gambling in all parts of the state. Originally, gambling was only legal in Nevada. The other locations are fairly recent and many other local governments are considering legalizing gambling in their cities or states. Gambling is like any other business: there are sellers and there are buyers. No one is forced to participate in the transaction, but many people still oppose gambling in their communities. In this paper, I will discuss why, according to economics, gambling should be legalized and some reasons why gambling has not been legalized everywhere. Many people believe that gambling should be legalized everywhere. It is simply a business. There are people that would like to sell gambling services and there are people that would like to buy gambling services. Neither party is losing from the transaction. The casino operators are gaining from the transaction because they would like to make profits, just like any other business. Realistically, the gamblers are most likely losing money, but they are choosing to risk their money at the casinos. The gamblers are gaining because they would like to gamble and be a part of the casino environment. The gambling market follows the laws of supply and demand, just like every other business market. If the casino owners ask too high of a price for their services, people will not buy them. There are always other casinos that people can go to if one casino were to charge higher rates. Casinos must compete with each other just like any other business. Casinos can also be a large source of tax reve nue for local governments and it can provide jobs for members of the local communities. According to the Atlanta Business Chronicle, Rob Pitts, the Fulton County Commissioner, believes that â€Å"†¦gambling could generate more than $200 million a year in tax revenue and add 4,000 jobs in Georgia.† There is one type of gambling that is already available in most states - the lottery. This type of gambling is regulated by the government and is accepted by the general public. The state usually pu... ...lth. It's not the panacea that it is presented as.† In conclusion, gambling is just like any other business: there are buyers and there are sellers. There are potential good points to legalizing gambling, but there are also some drawbacks. The gambling industry can create tax revenue and jobs for local communities, make money for the casino owners, and allow people to gamble safely. However, some people that gamble should probably not be gambling. Casinos outside of Nevada are often found in poorer cities. Personally, if I had the choice, I would vote against gambling in my community. Bibliography Arvidson, Erik. State lawmakers remain wary of casinos. 2 Nov. 2003. Berkshire Eagle Online. 2 Nov. 2003 . Riverboat Gambling. JobMonkey.com. 07 Dec. 2003 . Hoeschen, Brad. Potawatomi courting businesses for casino expansion plan. 1 Aug. 1997. The Business Journal. 7 Dec. 2003 . Schenke, Jarred. Pitts will ask state to OK gambling. 27 Oct. 2003. Atlanta Business Chronicle. 2 Nov. 2003 . Study: Poor players spend most on Md. lottery. 20 Oct. 2003. The News Journal. 2 Nov. 2003 . MacQuarrie, Brian. $650m resort, casino plan divides Maine. 12 Oct. 2003. The Boston Globe. 2 Nov. 2003 .

Electronic Democracy Essay -- Politics Internet Web Elections Essays

Electronic Democracy Today, people go online and instantly communicate with others all over the world. Given this technology, is it possible to revolutionize our current political process and enable online users to cultivate their own political group to affect change? Jon Katz article, The Netizen: Birth of a Digital Nation suggests that young, educated, affluent people make up the new Digital Nation who can and should build a more civil society utilizing online computer technology. On assignment for HotWireds The Netizen Katz was supposed to write about how the media was affected by the Web during the Presidential election of 1996. However, Katz found early on that the Web was not an influence in 1996 politics. Instead, he found an online culture that used chat rooms and web sites to communicate their political positions. Katz began to post his own positions online, receiving innumerable feedback on them. He found his opinions were just that---ideas that other people challenged, changed or agreed with. He gave ideas, but smarter people improved them or showed him why he was incorrect. There was much to be learned on the Internet believed Katz. He discovered the net could be the tool to bring about change in the political arena and even our culture. The net offers individuals the ability and freedom to voice their opinions; yet it is a distinct group of young people who are taking the opportunity to interact with one another creating a new political ideology (217). Katz believes these individuals are utilizing the Stomel 2 Internet to produce their own political entity. These are people who work on the Internet, created the Net, and whose business, social, and cultural lives (217) revolve around it. In essence, a new soc... ... also physically within their communities. It is doubtful this can happen when this group uses words to attempt change rather than action. Stomel 6 Works Cited DeLuca, Tom Jr. Two Faces Of Political Apathy. Philadelphia: Temple University Press. 1995. Katz, Jon. The Netizen: Birth of a Digital Nation. Composing Cyberspace: Identity, Community, and Knowledge in the Electronic Age. Ed. Richard Holeton. Boston: McGraw-Hill Inc. 1998. 214-225. Phillips, Kevin. Wealthy and Democracy: A Political History of the American Rich. New York: Broadway Books. 2003. Tatchell, Peter. Direct Action For Democracy. Guardian Unlimited. January 30, 2003. http//politics.guardian.co.uk/apathy/comment/0,12822,885318,00html (3 Oct. 2003). What Influence Does Wealth Have Over Politics? Geocities.com (3 Oct. 2003).

“A Different Mirror” by author Ronald Takaki Essay

In the book, â€Å"A Different Mirror† by author Ronald Takaki is an interesting chapter by the title of â€Å"The Promised Land† where I will discuss the pros and cons that African Americans must face.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The years 1910-1920 we learn about migration of African Americans as they head toward complete freedom. During the movement of the population, there was a spreading out of this race across the nation and a negative effect from this movement would be the huge scattering of the African American race. Families were separated more than they had ever been before with many migrating to the west coast. See more: Recruitment and selection process essay   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   A positive effect from this migration would be that the African Americans could gain better employment and had a broader range of opportunities due to the migrations.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   As this group moved to other areas they did encounter violence by gangs and resistance from the white population. Communities began changing as the African American race moved in, while the Caucasian race weren’t comfortable with this new migration.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The African American group began gaining more control as they started their own groups ran by their own race. This was good for the Negro population as they were able to voice their own concerns to the public and feel as they had room to grow in society. The Negros had a new sense of who they were and a new sense of identity while white liberals and the new Negro movement began to grow in the Arts and Entertainment industry.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   The Depression showed a decline in Harlem’s population as the African American population continued to migrate as they searched for employment. There was much discrimination for Negroes but on the positive side, there were many positive changes for the population as there were labor and union changes concerning this group.   There was more WPA support, along with the help from the Democratic Party.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Discrimination was always evident which held a negative impact for the African Americans but with the support from men such as W.E.B. Dubois, there was more leadership for this group.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   African Americans were learning everyday about who they were, where they were going and who they wanted to be. Although, the negative impacts from the white race was always evident, the African American population pushed ahead, moved to better places where they could gain employment and move up in society as they worked toward better living arrangements and more acceptance from all Americans.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   Working harder made all gains more appreciated, while the African Americans worked toward gaining complete freedom and acceptance. More and more leaders stood up and empowered the Negro population which gave them more confidence as they migrated across America, searching for a better way of life.   Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚  Ã‚   African Americans were more concerned about their rights in the workplace and in schools as better opportunities presented themselves. This group grew stronger which was a positive effect while still on the negative side, they always felt less worthy than other groups in America.