Using Facebook to Create Identity

Using Facebook to Create Identity Facebook biography Introduction A Facebook biography is a form of identity mask. People can hide their defects what they do while others and deceive others about their real identity true self. Traditionally, people make friends with others who are around them. Nowadays, people send friend requests to random people on Facebook or get connected use available through other networks to increase their number of friends. Others might make befriend friends with those people they interact with online. Many friend requests are sent after making contacts in other areas of the Web online websites. However, most people rarely interact with the majority of their Facebook friends, thereby creating a dormant archive of relationships. Despite this, most people want to portray certain traits through their bios. The Facebook bios of celebrities and professionals are frequently searched. In his article Reflections in the Facebook Mirror, Aimee Lee Ball argues that Facebook users hide their identity through well-crafted bios. Using Facebook to hide Identity The need to hide information about oneself is motivated by the increased possibilities of revealing oneself to large groups of people. People hide their identities so they can be liked more. Facebook increases opportunities for communication and influences how like other types of communicative such as the phone and email are used. It is difficult to describe oneself in a few words as required in Facebook; this is the reason professionals some people with a long list of credentials find it stressful difficult to describe themselves. Many people want their biographies to be simple but to reflect their skills and abilities as much as possible approachability. They want to look accomplished, but not boastful. There are professionals who expose a lot of information in order to ensure themselves open and sincere. Most of them have taken professions that are characterized by too much fraud and insincerity. Moreover, people do not want to limit their access by being on the other side of the political or religious division. They will go to great extent to hide their religious and political affiliation. Sometimes, they will make complex depiction of themselves. Regarding religion, Facebook users will make descriptions that make them look normal and acceptable. People rarely state that they are atheist. Others, who present themselves as atheists, have something else to compensate this weak point. Some Facebook users do not like the idea of filling in their bio-data especially because they will be required to get out of their comfort zones. Consequently, they will give haphazard descriptions in the ‘religion’ and ‘politics’ sections. Disgruntlement towards Facebook bios may stem from a desire to keep some aspects private, and the need to escape bias (Boyd Ellison, 2007). Most descriptions are radical and are a sign of protest to the inclusion of these fields in the identity information. In the religion section, a description such as â€Å"I have given up on God and now just worship Oprah† may be protesting at the self-promoting attitudes that people have as they post their information. Facebook bios are a sign of self-adulation and self-satisfaction. Most people do not change their bios after changing their habits, due to things such as relocation. Others may not be experts at stating that what hobbies they actually have. But their association with a hobby reveals innermost desire to become or to achieve. Some professionals reveal more than aspirations; they go to great lengths to show that they did something unique such as attending Yale University or working for Bain Company. They feverishly flood their profiles with events, achievements and projects. Still, some Facebook users prepare their bio in a self-exploration manner. For instance, they may want to test their marketing and branding skills. Self-exploration can be taken in the form of fun. Individuals will play with words in order to appear as jovial and open-minded. Identity formation through a Facebook profile is arguably a rational process of self-deception. Some professionals hire individuals to manage their profiles and increase obscurity through writing and vocabulary (Zà ºÃƒ ±iga, Jung Venezuela, 2012). However, most of the Facebook users use well-crafted words to show that they are interesting and creative. Others may give detailed descriptions in an a ttempt to show non-allegiance to common beliefs and associations. These people tend to deceive themselves. For example, a friend of mine is obsessed with the idea of achieving fame through the use of social media platforms such as Facebook and Instagram. She uses Photoshop on all of photo to make her look prettier and those photos made her over ten thousand â€Å"friends† and â€Å"followers†. But friending people online is not a substitute for real friendship in real life. She doesn’t have many friends in school and the friends she got left her behind because her self-importance of being famous on the social media platforms. But eventually their mask will pull off at a certain point and people will find out who they really are. Depending on individuals, preparing a Facebook bio can be a threat as well as an opportunity. It needs to be brief and may consume hours to make it short and satisfactory. Those who succeed in writing a good bio tend to think of the proc ess as a copywriting exercise. Individuals who see opportunities in writing a bio tend to think of it as an introduction of them on the social network. They think that the bio is the merit for an audience to evaluate them and to decide whether they are worth their time. It is a rare chance for them to make a big impression. Many Facebook bios intend to show what a person does, rather than what a person is. Therefore, such bios comprise on actions and thus have resume-like descriptions of individuals. For instance, a classmate of mine who always posts photo of his designer clothes, luxuries and expensive food on Facebook or Instagram to make other people on the social media platform to think he is wealthy to gratify his vanity. But in real life, he always borrows money from other people and something he does not pay them back. The approach has also been incorporated in the portrayal of character. Rather than stating that, individuals have certain traits such as creativity or sociability, the bio references specific projects or activities that demonstrate those traits. There are people/professionals who help their friends or clients to prepare an appealing Facebook bio (Boyd Ellison, 2007). They tend to have three main ingredients: wit, focus, and evidence of polish. Wit means there’s a governing intellect behind the style while polish means there’s an element of authenticity. The things such people keep in secret, are like they do not define themselves as much as they are exposed to the public (Boyd Crawford, 2012). Firstly, people succeed in deceiving others through their attractive bios that do not reflect their true identities. Secondly, no one is willing to expose the questionable individuals who hide their real identities to deceive and are engaged in crime and misdemeanor. In particular, stalkers are rarely exposed. Facebook users tend to block the friends and strangers with questionable character or background to restrain their access to their profiles. However, they do not do enough to help others for escaping the stalkers, rapists and cons. In addition, many questionable individuals have tailored some keywords to attract the audience. Keywords are used by many Facebook users to specify that what individuals they are. As most social media bios are searchable to some extent, individuals tend to state specific positions or qualities so that they can be found easily. Many Facebook users cannot be measured on the basis of their self-evaluation. Most of the people cannot adequately state their level of competence in their respective positions. It is critical to evaluate them on a person-to-person basis or through their friends and former clients. Professionals also introduce new styles to personal descriptions so that they can appear creative and adventurous to explore. They want to raise their value proposition. Followers cannot determine the value a professional has unless they try his services. However, many professionals do not reveal cases or challenges that threaten, or may have threatened, to keep them out of business. They will not expose such hobbies that are uniquely theirs. Measuring someone through his own impression in person is achievable. A face-to-face meeting can reveal whether the person is familiar with their profession o r not. The discussion of their hobbies and interests can be involved in the meeting. Facebook users who have stated their real interests in their profiles will also give much detail about it. Frequent dealings with a person can reveal whether he has a fully rounded personality or if merely deceives people through their profiles (Boyd Crawford, 2012). For example, people who appear disorganized in their Facebook bio or profile are likely to be disorganized in real life. The intention of determining the real identity of a professional is to verify his identity and level of professionalism. If individuals are found, for example, to have different hobbies, their competence can be put in questioned. Facebook profiles should be changed if progress warrants it. While some people are evaluated by others in their timeline, taking care of some supporters may have their own personal interests. Conclusion A Facebook biography is a form of identity mask that people can wear to deceive others about their real identity. Facebook bios are a sign of self-adulation and self-satisfaction. Identity formation through a Facebook profile is arguably a rational process of self-deception. Most of the Facebook users cannot be measured on the basis of their self-evaluation as they have perfection in the art of deceiving others. Measuring someone through their own impression in person is achievable. In future, Facebook users may describe themselves in more complex terms than today; this may grow out because of the need unique and distinct appearance from others in an increasingly populous planet. References Boyd, D. and K. Crawford. (2012) Critical Questions for Big Data: Provocations for a cultural, technological, and scholarly phenomenon. Information, Communication and Society: 662-679. Boyd, D. M. and N. Ellison. (2007)Social Network Sites: Definition, History, and Scholarship . Journal of Computer-Mediated Communication: 210-230. Zà ºÃƒ ±iga, H. G., N. Jung and S. Venezuela. (2012)Social Media Use for News and Individuals Social Capital, Civic Engagement and Political Participation. Journal of Computer-Mediated Communication: 319-336.

Deceptive Females of Homers Odyssey Essay -- Homer, Odyssey Essays

The Deceptive Females of Homer's Odyssey      Ã‚   Homer's Odyssey is probably the most famous and well-known epic of all time. This tale relates the adventures of the archetypal hero, Odysseus. Odysseus' long journey home takes him to many different places where he encounters many different monsters and creatures, but there are certain recurrent elements throughout. The most common themes in the Odyssey are forgetfulness, willingness to risk pain for pleasure, and sexual temptation.    When comparing the Sirens episode with Odysseus' other adventures, one can observe an emergence and repetition of these themes. The most obvious comparison that can be drawn between the Sirens episode and most other adventures is the theme of forgetfulness. The same idea is repeated in Odysseus' adventures with Calypso, Circe, and, most importantly, the Lotus-eaters. The Sirens are all knowing, beautiful creatures that attract men with their songs about the world, but those who give in and stop to listen can never leave. Fortunately, the Sirens are unable to draw Odysseus in because he has been forewarned by Circe and knows how to resist. "but melt wax of honey and with it stop your companions' ears, so none can listen." (12.47-48) Once he hears their song, he forgets about his homeland and wants to be set free so that he can listen to their song. "fastened me with even more lashings and squeezed me tighter." (12.196) Without... ..., Audiences, and Narrators in the Odyssey, Ann Arbor 1995. Felson-Rubin, Nancy.   Regarding Penelope: From Courtship to Poetics, Princeton 1994. Foley,   Helene "Penelope as Moral Agent," in Beth Cohen, ed., The Distaff Side, Oxford 1995., pp. 93-115. Graham,   A. J.   "The Odyssey, History, and Women,"   Princeton 1992 Griffin, Jasper. Homer on Life and Death, Clarendon Press. 1980. Homer.   Odyssey trans E V Rieu, Penguin Books. 1950. Katz, Marilyn Arthur.   Penelope's Renown: Meaning and Indeterminacy in the Odyssey, Princeton 1991. Lefkowitz,   Mary.   "Seduction and Rape in Greek Myth," 17-37. Schein,   Seth. "Female Representations and Interpreting the Odyssey," by pp. 17-27.   

Environment degradation Essay

This is the deterioration of the environment through depletion of resources for instance water, soil and even air. In environmental degradation, the ecosystem is destroyed and wildlife undergoes extinction. There are many forms of environmental degradation that are of negative impact to agriculture. For instance, when habitats are destroyed, biodiversity is lost and natural resources are depleted. The environment is most affected as organisms which give it life are no more (Schertenleib, Forster & Belevi, n. d). The earthworms that enrich soil fertility are killed by soil pollution. This means that if earthworms are all eliminated, the soil will not be fertile. The degradation of the environment can occur naturally, or through human processes which includes different kinds of pollution. Areas of concern in the same concept are loss of rain forests, air pollutions and the ozone depletion. The marine environment is also affected. These kinds of pollutions are known to occur all over the world and the blame is on the people themselves for the activities they carry out. This has poisoned the planet’s oceans and even the remote areas. Major disasters like oil spills have ruined the local environment. All these hazards can be curbed by individuals by stopping the constant pollution of the environment. To some extents, different organizations have been formed to help rehabilitate locations that have been affected. One way to do this is urban agriculture. With urban agriculture, the environment can be conserved since the wastes from industries can be converted to be fertilizers in the farms around the cities. Statistical facts It is estimated that 50% of the world’s populations live in cities (UNFPA, 2007). In the cities, most populations settle there for various reasons such as studies and seeking for employment. As economic pressures mount, the urban population engages in urban agriculture as labor is available with large population in urban centers. The growing of crops and rearing of animals in the urban areas has become common. About 800 million people are involved in urban agriculture world wide and this has contributed to the feeding urban residents (Schertenleib, Forster & Belevi, n. d). It is definite that with food production or rather the general production of farm outputs, the city residents can get a plenty supply of food in their respective areas of residence. With large populations in the cities and with plenty food products from urban agriculture, there will not be any instance of food deficiency. Urban residents with low income spend between 40 percent and 60 percent of their income on food every year (RUAF, n. d). The only remedy to this is that these low income residents can start practicing urban agriculture to supplement the expenditures on food. If they participate in urban agriculture, they will be able to save up to 60% of their incomes at the end of each year (Neondo, 2003). The money they would have spent on buying food can be saved and used to develop other areas of the economy. This means a lot of to the growth of the economy of the particular country. It is expected that by 2015, about 26 cities in the world will have a population of 10 million or even more (FAO, n. d). To be able to manage these populations, countries are obliged to concentrate in urban agriculture because they have little choices left. It is therefore encouraged for urban dwellers to practice heavily on urban agriculture, with an objective of keeping the country away from food shortage come 2015(FAO, n. d). 2. The spectrum of urban agriculture and the function of relevant organizations Urban agriculture has some aspects that distinguish it from rural agriculture. One of them is the fact that it is integrated into the urban economic and ecological system. It is evident that urban agriculture is embedded in the urban ecosystem of which it interacts with. Such linkages involve using urban residents as laborers and the use of typical urban resources for instance organic waste as compost and urban waste water for irrigation. In urban agriculture, there is a direct link with urban consumers and direct positive and negative impacts on urban ecology (Amin, 2002). Urban agriculture is also characterized by being part of the urban food system and competing for urban land with other urban functions. It is also influenced by other urban policies and plans. Some of the organizations that influence urban agriculture both directly and indirectly are Food and Agriculture Organization (FAO), Community Food Security Coalition (CFSC), Urban and Peri-urban Agriculture (UPA), and the Resource Centers on Urban Agriculture and Food Security (RUAF Foundation)

Complete List of Crucible Characters

Complete List of Crucible Characters SAT / ACT Prep Online Guides and Tips Who are The Crucible characters? What do they do and when do they show up in the play? Find out in this overview of the characters in Arthur Miller's The Crucible. In this article, I'll go over each of the Cruciblecharacters by name, pinpoint which act(s) each character appears in and/or is mentioned in, and briefly describe each character and what she/he does in The Crucible. Central Cast of The Crucible To start off with, I'll discuss the seven characters in The Crucible who are integral to the plot of the drama: John Proctor, Abigail Williams, Mary Warren, Giles Corey, Rebecca Nurse, Reverend Hale, and Elizabeth Proctor. For each of these characters, you'll get an overview of their relationships with other characters in the play, a short description of their personality, and a rundown of the actions they take throughout the play. John Proctor John Proctor is the central character whom the drama of The Crucible revolves around. This primacy is helped by the fact that he has relationships with many of the other characters in the play: Proctor is husband to Elizabeth Proctor, former (adulterous) lover of Abigail Williams, employer of Mary Warren, friend of Giles Corey and Francis Nurse (and by extension their wives), and not a fan (though not precisely an enemy) of Reverend Parris. Proctor is described by Miller as â€Å"respected and even feared in Salem,† having â€Å"a sharp and biting way with hypocrites† even though he â€Å"regards himself as a kind of a fraud† (p. 19) due to his affair with Abigail Williams. Act 1: We find out that Proctor had an affair with Abigail that he says he no longer wishes to continue. Proctor is skeptical of witchcraft and of Parris's claims of persecution and leaves shortly after Reverend Hale arrives at the Parris household. Act 2: Elizabeth and John discuss the events that have been happening in Salem; Elizabeth encourages John to tell the court what Abigail told him about the girls faking it, which triggers a discussion about John's affair with Abigail and his continuing guilt about it. Over the course of the act, Proctor becomes frightened of the power the girls have with their accusations, especially once his wife is arrested for witchcraft. Act 3: Proctor goes to court to fight the charges against his wife and dispute the veracity of the girls' claims; he eventually ends up being accused of witchcraft himself. Act 4: Tormented over whether or not to confess to witchcraft to save himself, Proctor ultimately ends up tearing up his signed confession and going to the gallows with what remains of his integrity intact. For a deeper exploration of John Proctor’s character traits and actions, read our character analysis of him. Abigail Williams Also Known As: Abby Williams Abigail is the niece of Reverend Parris and the cousin of Betty Parris. She also used to work as a servant with the Proctors, before she was sent away by Elizabeth Proctor for having an affair with Elizabeth's husband John. She is friends (or at least acquaintances) with Mercy Lewis and eventually becomes the ringleader of the "afflicted" girls (i.e. the girls who accuse people of being witches). Miller describes Abigail as "seventeen...a strikingly beautiful girl, an orphan, with an endless capacity for dissembling" (p. 8); in essence, he is calling her a pretty little liar. Act 1: Abigail is accused by her uncle of dancing in the woods (possibly naked) and of being soiled; she vehemently denies this, but when he leaves Betty wakes and accuses Abigail of drinking a potion to kill Elizabeth Proctor. Eventually, Abigail manages to get out of being punished by first accusing Tituba of forcing her to drink the potion and then appearing to confess her bewitching and accusing others of witchcraft. Act 2: We find out, first via Mary Warren and then via Ezekiel Cheever, that Abigail has accused Elizabeth Proctor of witchcraft. Act 3: Abigail is questioned about faking her symptoms and denounces it as a lie; she then leads the girls in a hysterical display against Mary Warren when Mary tries to discredit them and succeeds in influencing Mary to abandon her testimony. Act 4: We hear from her uncle, Reverend Parris, that Abigail has run off with Mercy Lewis and some of her uncle’s money. For more about Abigail Williams and her role in The Crucible, read our in-depth discussion of Abby, and our analysis of important Abigail Williams quotes. Me? Accuse someone of witchcraft so I could marry her husband and run off with my uncle's money when that didn't work out? Whyever would you think such a thing? Mary Warren Mary Warren is a servant to John and Elizabeth Proctor and part of the group of girls accusing people of witchcraft. Described by Miller as "seventeen, a subservient, naà ¯ve lonely girl" (p. 17), Mary is motivated both by her desire to be a part of "the great doings in the world" (p. 20) and her fears of getting in trouble (whether with Abigail or the Proctors). Act 1: Mary shows up at the Parris household to confer with Abigail and Mercy about what's going on (since they were all dancing in the woods the night before). Act 2: Mary arrives back at the Proctors' slightly more confident due to her role in the court; she brings Elizabeth a poppet she made and both the Proctors news of what has been happening in Salem and reveals that she managed to stave off one accusation of witchcraft against Elizabeth (although it turns out that after Mary left, Elizabeth was accused again). After Elizabeth is arrested and taken away, Mary is yelled at by John Proctor and told she has to testify in court about how she made the poppet, stuck a needle in it, and gave it to Elizabeth. Act 3: Mary is bullied by John Proctor into testifying how there is nothing supernatural occurring in Salem. This ends up backfiring when she is accused of sending her spirit to torment the girls; eventually, Mary accuses Proctor himself of being a witch and returns to the fold of accusers. Discover more about Mary Warren’s role in The Crucible with our character analysis of her. Giles Corey Giles Corey is husband to Martha Corey and friends with John Proctor and Francis Nurse. A cantankerous old man who has no problem suing even his friends for perceived insults, Giles is described by Miller as "a crank and a nuisance, but withal a deeply innocent and brave man" (p. 38). Act 1: Giles wanders into the Parris house to find out what’s going on. He tells Reverend Hale that he thinks it’s weird his wife Martha reads all the time and that whenever she reads, Giles has trouble praying (conveniently omitting the information that Giles has just started to go to church more regularly and so naturally would have difficulty remembering his prayers). Act 2: Giles comes to the Proctors’ house along with Francis Nurse to report that both their wives have been arrested for witchcraft; he asks Proctor’s advice for what to do Act 3: Giles storms into court to try to prove his wife isn’t a witch. He ends up being condemned for contempt of court when he won’t name the person who told him that Putnam’s daughter accused George Jacobs of being a witch in order to be able to purchase George Jacobs’ forfeited land. Act 4: We learn via Elizabeth Proctor that Giles was pressed to death (with stones on his chest) since he refused to answer the accusations against him one way or another so his property would stay in his family. For a more detailed discussion of Giles Corey and what happened to him, read our dedicated Giles Corey character analysis. Rebecca Nurse Also Known As: Goody Nurse Rebecca is married to Francis Nurse. She is friendly with everyone in Salem except for Ann Putnam, whose concerns over her daughter Ruth Rebecca kind of brushes off in Act 1. Act 1: Rebecca comes over to the Parris household and tries to calm everyone down, saying it’s probably just girls being girls and not anything supernatural. When it becomes clear that everyone else wants to go ahead with the investigation of possible witchy causes for the girls’ behavior, she departs. Act 2: The audience learns from Francis Nurse that Rebecca has been arrested for the murder of Ann Putnam’s seven children who died in infancy. Act 3: The audience learns via Hale that Rebecca has been found guilty of witchcraft in court (p. 80). Act 4: Rebecca is saddened to learn that John is going to confess to witchcraft, then uplifted when he decides not to; they both go to the gallows together. For more discussion of the function of Rebecca Nurse in the play, make sure to read our complete analysis of Rebecca Nurse in The Crucible The Crucible. Reverend John Hale Reverend Hale is an "expert" on witchcraft, called in from Beverly by Reverend Parris as a precautionary measure (in case Betty Parris's affliction is supernatural in nature). Described by Miller at the beginning of the play as "nearing forty, a tight-skinned, eager-eyed intellectual," (p. 30), Hale changes over the course of the play from an idealist who believes he has the power to root out the Devil to a disillusioned man who realizes he has added to a hysteria and caused the deaths of innocents. Act 1: Hale appears in response to Parris’s summons. Excited to use his specialized skills to hunt out the Devil, Hale ends up (inadvertently) pressuring Tituba into confessing until she names names. Act 2: Hale comes to the Proctors to check in on them, since he’s heard some disturbing things about them (John doesn’t go to church often, Elizabeth was accused of being a witch that day, etc); he quizzes John on his commandments and is upset/shocked to hear that the girls might be faking their fits and lying to the court. He seems conflicted (â€Å"in great pain†) but still unwilling to completely accept how thoroughly he’s screwed everything up (p. 68). Act 3: Hale ineffectually tries to stop the juggernaut he has set into motion; he now realizes that witchcraft isn’t as black and white as he thought because at least some of the accusations clearly stem from ulterior motivations and there's no evidence besides hearsay for convictions†¦but it’s too late. Storms off after Proctor is ordered to jail by Danforth (p. 1), denouncing the court and what it is doing. Act 4: Hale has returned to Salem to try to get the accused witches to confess and save their lives so he can feel less guilty/accumulate less blood on his hands. He does not succeed. Reverend Hale, by the end of The Crucible. Reykjavik statue/used under CC BY 2.0/Cropped from original. Elizabeth Proctor Elizabeth Proctor is married to John Proctor. Elizabeth dislikes Abigail Williams, likely due to the fact that John Proctor committed adultery with Abigail. While Miller does not give Elizabeth any specific stage direction descriptions they way he does with many of the other characters, we learn through various bits of dialogue that Elizabeth had been sick the previous winter (p. 61). Act 2: Elizabeth tries to urge her husband to go to town to tell everyone Abigail is a liar – first because it’s the right thing to do, then because she’s worried Abigail is going to accuse Elizabeth of being a witch in order to take her place in John’s life (and bed). She is disappointed that John met with Abigail alone and somehow failed to mention that detail to her, but is not allowed to defend herself because John’s internal guilt causes him to react angrily and volubly to her fears. Elizabeth accepts a poppet from Mary and tries to protect Mary from John’s wrath at Mary's having neglected her duties at home to go off to the court and accuse people of witchcraft. At the end of the act, Elizabeth is arrested and taken in after it’s revealed Abigail called her out as a witch (after Mary Warren and Hale left for the day) and she has that damning poppet with a needle stuck in it. Act 3: Elizabeth is brought into the court to confirm that Abigail Williams was dismissed from her position for sleeping with John Proctor, since John has boasted that Elizabeth never lies. In a crisis of faith, Elizabeth chooses to lie to protect her husband’s reputation; this unfortunately ends up having a negative effect as it undercuts John’s accusation that Abigail is accusing Elizabeth of being a witch in order to marry John. Act 4: Elizabeth is asked by Danforth and Hale to convince John to confess to save his life; instead, she basically just acts as a sounding board while John agonizes over what to do. She also tearfully confesses that John Proctor is the best and that she shouldn’t have judged him because only he can judge himself, and tells him that whatever he chooses is okay by her (p. 127): Do what you will. But let none be your judge. There be no higher judge under Heaven than Proctor is! Forgive me, forgive me, John- I never knew such goodness in the world! She covers her face, weeping. When Parris and Hale try to get Elizabeth to stop John after he’s torn up his confession and is on his way to the gallows, she does not, stating, â€Å"He have his goodness now. God forbid I take it from him!† (p. 134). Other Salem Residents in The Crucible Aside from the seven central Crucible characters listed above, there are also many other Salem residents who appear in this play. Whether they accuse others of being witches, are accused of being witches themselves, or are simply townspeople with an axe to grind against Reverend Parris, the characters below all contribute to move the action of the plot forward. Reverend Samuel Parris Reverend Parris is the father of Betty Parris, uncle of Abigail Williams, and minister of Salem. He is not portrayed in a positive light in this play, being described by Miller from the very beginning as someone who "cut a villainous path through history" who "believed he was being persecuted wherever he went." Through his actions and words, Parris "very little good to be said for him" (p. 3). Act 1: Parris is worried that Betty is sick, so he has called on Dr. Griggs for medical care and sent for Reverend Hale for spiritual care. He questions Abigail about her dancing in the woods with Betty and Tituba and discusses how he thinks there are people plotting against him and his fears about how people will perceive him if witchcraft is discovered under his roof. Act 3: Still self-important and petty, Parris accuses people who he perceives as a threat or who state they don't believe in witchcraft of lying or having "come to overthrow the court" (p. 82). Act 4: Parris asks Danforth and Hathorne to meet him in jail to discuss the dangers attendant on hanging well-respected members of the community like Rebecca Nurse and John Proctor. Parris explains that he and Hale have been praying with the convicted witches and hoping they'll confess; for Parris, this is because the people about to hang are influential and so their deaths might cause trouble for him. He also mentions that Abigail has disappeared and seems to have stolen his life savings, which prompts Danforth to call him "a brainless man" (p. 7). Parris also tells Danforth that he's been threatened as a result of his actions in the witch trials: â€Å"Tonight, when I open my door to leave my house – a dagger clattered to the ground† (p. 9), but Danforth does not seem to care. Betty Parris Betty is the ten-year-old daughter of Reverend Parris and cousin to Abigail Williams...and doesn't get much more of a character description/development than that. She is the third person in Salem to accuse people of witchcraft (after Tituba and Abby). Other than a brief time onstage in Act 3 (when she chants in unison with the rest of the witch-accusing girls), Betty is only onstage during the opening act of the play. During Act 1, Betty falls ill after dancing in the woods with Tituba and some of the other girls of the village (Abigail Williams, Mercy Lewis, Mary Warren, and Ruth Putnam). When she temporarily rouses from her stupor, Betty accuses Abigail of drinking a potion to kill Goody Proctor (p.18), before falling back into an inert state. Betty livens up again at the end of the act to chime in with her own hysterical accusations of witchcraft. Tituba In her forties, Tituba is Reverend Parris’s slave that he brought with him from Barbados. She is devoted to Betty (p. 7, p. 41) but possibly harbors some resentment against Parris that comes out in her "confession" of witchcraft (p. 44): TITUBA, in a fury: He say Mr. Parris must be kill! Mr. Parris no goodly man, Mr. Parris mean man and no gentle man, and he bid me rise out of my bed and cut your throat! They gasp. But I tell him â€Å"No! I don’t hate that man. I don’t want kill that man.† But he say, â€Å"You work for me, Tituba, and I make you free! I give you pretty dress to wear, and put you way high up in the air, and you gone fly back to Barbados!† Various townspeople (Abigail, Mrs. Putnam) seem to think that Tituba also can "conjure" spirits, which at some points it seems that Tituba herself may also believe ("Devil, him be pleasure-man in Barbados, him be singin’ and dancin’ in Barbados. It’s you folks – you riles him up ‘round here; it be too cold ‘round here for that old Boy. He freeze his soul in Massachusetts, but in Barbados he just as sweet...", p. 3). Act 1: Tituba tries to find out how "her beloved" Betty is doing, but Parris shoos her away; later, she is accused by Abigail of forcing the girls to do the Devil’s work. When pressured by Hale and Parris to confess and give the names of those who are abetting her, Tituba eventually does by naming Goody Good and Goody Osburn (the two women Putnam had previously suggested as witch candidates). Act 4: Tituba is in the jail with Sarah Good, acting as if she very much believes in the Devil. She and Goody Good are hustled out by Herrick to make way for the judges. Susanna Walcott Susanna works for Doctor Griggs and is described by Miller as "a little younger than Abigail, a nervous, hurried girl" (p. 8). Eventually, she joins in with Abigail, Betty, Mercy, and Mary as the "afflicted girls" who accuse others of witchcraft. Act 1: Susanna tells Reverend Parris that Doctor Griggs is concerned Betty’s illness is supernatural in origin (p. 9). Act 2: Susanna has become part of the group of accusers; is one of the people Mary Warren says would’ve witnessed Mary sewing the poppet in court (p. 72). Act 3: Susanna joins in with Abigail and Mercy in accusing Mary Warren of bewitching them via Mary’s bird-shaped spirit (p. 107). steve p2008/used under CC BY 2.0/Cropped from original. Mercy Lewis Mercy is a servant to the Putnams and seems to be the particular caretaker of Ruth. She also appears friendly with Abigail Williams (which makes sense, as they were dancing in the woods together) and contemptuous of Mary Warren. Mercy is described by Miller as "a fat, sly, merciless[get it, get it, because her name is MERCY yet she shows no mercy]girl of eighteen" (p. 16). Act 1: Mercy has come to the Parris house to find out what’s going on. She gets to confer with Abigail about getting their stories straight about what happened in the woods (since Mercy was apparently running around naked in the woods) before she's sent away to get Doctor Griggs for Ruth. Act 3: Mercy is one of the girls in court who accuses Mary Warren of bewitching them via Mary’s bird-shaped spirit (p. 106). Act 4: Parris says that he believes Mercy has run away with his niece, Abigail Williams (p. 6). Mrs. Ann Putnam Also Known As: Goody Putnam, Goody Ann Ann Putnam is wife to Thomas Putnam and the mother of the afflicted Ruth (who we never see onstage) and seven other dead children (who we also never see onstage - because they're dead). There appears to be some friction between her and Rebecca Nurse, possibly because Rebecca Nurse has many living children and grandchildren while Ann only has the one child; it also seems that Rebecca may have chided Ann in the past for not being up to snuff (p. 36): Let God blame me, not you, not you, Rebecca! I’ll not have you judging me any more! Miller further describes Ann as being â€Å"a twisted soul of forty-five, a death-ridden woman, haunted by dreams† (p. 12). So clearly the woman has some issues. Act 1: Ann comes to the Parris household to find out what’s going on and report that her daughter is being afflicted by something possibly supernatural. She knows that the cause of her daughter's illness is something supernatural because she sent her daughter to Tituba to find out (via supernatural means) who murdered Ann’s other seven children in infancy. Ann is ready and willing to believe any explanation for why her children died except that it was natural causes (understandable for a grieving mother). She seizes eagerly upon Tituba’s saying that Goody Osburn was a witch, saying, â€Å"I knew it! Goody Osburn were midwife to me three times. I begged you, Thomas, did I not? I begged him not to call Osburn because I feared her. My babies always shriveled in her hands!† (p. 44). Thomas Putnam Thomas Putnam is husband to Ann Putnam and father of the afflicted Ruth. Described by Miller as "a well-to-do, hard-handed landowner, near fifty" (p. 12) and "deeply embittered" with "a vindictive nature" (p. 14), Putnam has quarrels with nearly every major (male) character who appears onstage in this play. He dislikes Francis and Rebecca Nurse (since their family helped block Putnam’s candidate for minister), Reverend Parris (since he got the job instead of Putnam’s brother-in-law), John Proctor (because he is chopping down wood that Thomas Putnam believes rightfully belongs to him), and Giles Corey (because Corey accuses him of conspiring with his daughter Ruth to kill another man for his land). Act 1: Putnam urges Parris to investigate possible supernatural causes of Betty’s (and his daughter Ruth’s) ailments. Miller intimates (via stage directions) that Putnam doesn’t necessarily believe in witchcraft – he just is looking for a way to gain power and/or make Parris do something dumb that he can then exploit: â€Å"at the moment he is intent upon getting Parris, for whom he has only contempt, to move toward the abyss† (p. 14). Act 3: Putnam briefly shows up in court to say that Giles’ accusations against him are a lie (p.89). Francis Nurse Francis is the husband of accused witch Rebecca Nurse and friends with Giles Corey and John Proctor. Francis is described by Miller as "one of those men for whom both sides of the argument had to have respect," although "as he gradually paid for [the land he'd originally rented] and raised his social status, there were those who resented his rise" (p. 24). Basically, Francis is seen as a fair and upstanding citizen of Salem, although there are some who resent his social-climbing. Through one of Miller's character essays, we learn that Francis is part of the faction that opposed Thomas Putnam’s candidate for minister of Salem (p. 24), which led to bad feelings between the two families (that may have motivated the accusations of Rebecca as a witch). Act 2: Francis lets the Proctors know his wife’s in jail and charged with supernatural murder (p. 67). Act 3: Francis appears in court to present evidence of the girls’ fraud jointly with John Proctor and Giles Corey (p. 80); brings a petition signed by neighbors attesting to his wife’s good name that is then used by the court as a source for arrest warrants, much to Francis’s horror (p. 87) Sarah Good Also Known As: Goody Good The first woman to be accused of witchcraft in Salem, Sarah Good is described by Elizabeth Proctor as â€Å"Goody Good that sleeps in ditches† (p. 58). Act 1: Thomas Putnam floats her name as a possible witch (p. 43); Tituba then picks up on this priming and names her as a co-conspirator (p. 44), followed shortly by Abby (p. 45) Act 2: Mary Warren reports that Sarah Good confessed to attacking the girls supernaturally and so won’t hang; also, Sarah is pregnant at age 60. Act 4: The first (and only) time Sarah Good appears onstage is at the beginning of this act: she is hanging out with Tituba in the jail, acting a little crazy, and seeming to see the Devil. It's unclear whether she thinks the Devil is real or if she’s just playing along at this point because she doesn't have anything to lose and won't be hanged since she's confessed and is pregnant. The Court Officials Besides the general residents of Salem, The Crucible also has the characters involved in the â€Å"legal† part of the witch trials and the â€Å"justice† system. Ezekiel Cheever Cheever was originally an â€Å"honest tailor† (p. 69) but by the time of his appearance in the play (in Act 2) has become â€Å"a clerk of the court† (p. 68). Elizabeth that he "knows [John Proctor] well" (p. 50), but by the time of the trials it is clear that he is no longer held in quite as high esteem ("You'll burn for this, do you know it?", p. 69). Act 2: Cheever comes to arrest Elizabeth Proctor on orders from the court; he is convinced of her guilt when he finds a poppet with a needle stuck in it (p. 70), and isn't willing to believe other explanations for it, even though Mary Warren clearly states that she's the one who made the poppet and stuck the needle in it. Act 3: Cheever testifies about his experience with Goody Proctor and John Proctor in the previous Act (finding the poppet after Elizabeth denied keeping them, John ripping up the arrest warrant); though he prefaces his testimony with an apology to Proctor Marshal Herrick Herrick is the marshal for the court system in Salem, which is to say that he is the person sent to gather up prisoners, stop people from leaving the court and from attacking other people in the court, and lead convicted witches to be hanged. Act 2: Along with Cheever, Herrick comes to the Proctors' house to take Elizabeth Proctor away to the jail, as per orders of the court. Act 3: Herrick vouches for John Proctor’s character (p. 86) and acts as the arm of the court (he stops Proctor from attacking Abigail, stops Abigail from leaving when she’s accused of whorishness, and is asked to take Proctor and Corey to jail). Act 4: Herrick drunkenly clears Sarah Good and Tituba out of on cell of the jail to make way for the judges’ discussion with Parris and Hale. He also shepherds the prisoners (Elizabeth Proctor, John Proctor, and Rebecca Nurse) back and forth between the cells, the main room, and (ultimately) the gallows. Judge Hathorne Judge Hathorne is a Salem judge presiding over the witchcraft trials. Described by Miller in the stage directions as â€Å"a bitter, remorseless Salem judge† (p. 78), Hathorne lives up to that depiction in both word and deed – he shows no mercy to the accused witches or their families and is always willing to believe the worst of people. Judge Hathorne appears in Acts 3 and 4 of The Crucible. Act 3: Hathorne is very concerned with all civilians showing the proper respect to the court and the law (although he's less shrill about it than Parris is). Act 4: Hathorne comes to the jail to confer with Danforth; he is confused by and suspicious of why Hale is back, disapproves of Parris’s increasingly â€Å"unsteady† and wishy-washy demeanor (p. 5), and seems to think everyone is filled with â€Å"high satisfaction† (p. 7) at the hangings of the witches. Fun fact: The character of Judge Hathorne is based on the historical Hathorne who was so reviled that his descendant, author Nathaniel Hawthorne (The Scarlet Letter, House of the Seven Gables), changed the spelling of his last name to avoid being associated with him. Deputy Governor Danforth At the time of the events in the play, Danforth is the Deputy Governor of the entire Province (of Massachusetts). Danforth oversees all of the court proceedings in the play as the highest legal authority. He is described by Miller as "a grave man in his sixties, of some humor and sophistication that do not, however, interfere with an exact loyalty to his position and his cause" (p. 79). While no one in the play seems to like him, exactly, he does command respect from most of the characters, at least at first - as the play continues and it becomes clear that Danforth is more concerned about procedure than justice, characters (including Giles Corey and John Proctor) vocally display their loss of respect for Danforth. Act 3: The audience first sees Danforth in his position as the presiding court judge for the witch trials. Danforth is not swayed by emotion but is swayed by the girls’ demonstrations of witchcraft (perhaps because he can see it with his own eyes, feel their clammy skin, etc). The combination of his dispassionate questioning and his belief in witchcraft means that what logically follows is him ordering the arrests of everyone who signed the petition affirming the good characters of Rebecca Nurse and Martha Corey, holding Giles in contempt of court, and ordering Proctor’s arrest. Act 4: Danforth fills the audience in on what has been going on in Salem between Acts 3 and 4. He continues to lack detectable emotions and base his decisions on legality (e.g. it wouldn’t be fair to postpone the hangings of these witches because we already hanged others) instead of morality (we should avoid killing people unless absolutely necessary and unless all other avenues have been exhausted). When he senses that John Proctor might not be entirely aboveboard in his confession, he warns that if Proctor is lying about being a witch, then he can't stop Proctor from hanging; when Proctor rips up his confession, Danforth feels no qualms about sending him to the gallows (p. 134): Hang them high over the town! Who weeps for these, weeps for corruption! He sweeps out past them. Hopkins A guard at the Salem jail who helps Herrick clear Tituba and Goody Good out of the room to make way for Danforth in Act 4. Hopkins doesn’t even get a first name, and only has one line (p.3) - he's mostly there to announce Danforth's arrival. Unseen Characters in The Crucible There are several characters in The Crucible who don’t actually show up onstage but still play an important role in the play. In one case, a character actually has more lines from offstage (Martha Corey) than another character does onstage (Hopkins), while in other cases these offstage, unseen characters are used to move along the action of the play. Martha Corey Martha Corey is the (third) wife of Giles Corey, accused of witchcraft directly by Walcott (and indirectly by Giles himself). We learn through Francis Nurse that Martha Corey is highly thought of in town - or at least, she was until she was accused of witchcraft (p. 67): ...Martha Corey, there cannot be a woman closer yet to God than Martha. While Martha never appears onstage, she is mentioned in all four acts and has three offstage lines in Act 3. Act 1: Giles first brings up his suspicions that Martha's bookishness is somehow causing him to falter at his prayers (despite the fact that he only started regularly going to church when he married her, and so "it didn't take much to make him stumble over [his prayers]" (p. 38). Act 2: Giles reports that Martha's been taken away after Walcott accuses her of bewitching his pigs; Giles explains that he didn’t mean to imply his wife was a witch because she read books (even though that is absolutely what he implied). Act 3: Martha is heard from offstage being questioned by Judge Hathorne about witchcraft at the opening of the act; later, she is mentioned as being one of two accused witches who 91 people declared their good opinion of in a petition (p. 86-87). Act 4: Martha is mentioned as one of the accused witches Hale is trying to convince to confess; later, when John Proctor asks if Martha’s confessed, Elizabeth confirms that â€Å"[s]he will not† (p. 125). Ruth Putnam The only surviving child of Thomas and Ann Putnam, Ruth, like Betty Parris, shows signs of being bewitched. According to Ruth's parents, Ruth was sent by her mother to Tituba to figure out who supernaturally murdered Ruth's seven dead infant siblings; this is no doubt the reason why Ruth "never waked this morning, but her eyes open and she walks, and hears naught, sees naught, and cannot eat" (p. 13). While she never appears onstage, Ruth (and her strange illness) is used in absentia to corroborate the presence of some supernatural evil in Salem during Act 1. Ruth is only brought up again a couple of times during the rest of the play: in Act 3, the audience learns that Ruth is said to have accused George Jacobs of being a witch (p. 89), and that she is not in the court when John Proctor brings Mary Warren to confront the other girls (p. 94). Sarah Osburn Also Known As: Goody Osburn The name of Goody Osburn first comes up in Act 1, when she is suggested by Thomas Putnam as a possible witch (p. 43). This suggestion is then corroborated by the accusations of Tituba (p. 44) and Abigail Williams (p. 45). In Act 2, we learn that Good Osburn is the first witch to be condemned to hang in Salem (p. 54). We also learn that it's not all that surprising that someone would accuse Goody Osburn of being a witch, since she is â€Å"drunk and half-witted† (p.58). George Jacobs In the first act of The Crucible, George Jacobs is named as a witch by Betty Parris (p. 45). His name briefly comes up in Act 2 as the owner of a heifer John Proctor is thinking about buying for his wife (p. 48), but it is not until Act 3 that he becomes more important. In Act 3, Giles Corey alleges that he's heard that Ruth Putnam accused George Jacobs of witchcraft because convicted witches forfeit their property, and the only person who has enough money to buy up that property just so happens to be Ruth’s father, Thomas Putnam (p. 89): ...the day [Putnam's] daughter cried out on Jacobs, he said she’d given him a fair gift of land... The accusation that Ruth had basically handed her father George Jacobs' property by accusing him of witchcraft, however, is never brought to trial because Giles refuses to reveal the name of the person who told him about Putnam's words; therefore, George Jacobs becomes the indirect cause of Giles being arrested for contempt of court (and, ultimately, pressed to death). Bridget Bishop Also Known As: Goody Bishop Bridget Bishop is a tavern proprietor in Salem (p. 4) and is the first witch named by Abigail who wasn’t also named by Tituba (p. 45). Goody Bishop's main role inThe Crucible is as a contrast to Rebecca Nurse; to illustrate how the people hanged earlier in the play were of lower moral character than those set to hang during Act 4, Parris mentions how Bridget â€Å"lived three year with Bishop before she married him† (p. 7). Doctor Griggs Doctor Griggs is mentioned in Act 1 as the man Parris has consulted with to find out what’s wrong with Betty (p. 8) and in Act 2 as the man who confirms Sarah Good is pregnant (p. 56). He's also the employer of Susanna Walcott. Other People Mentioned in The Crucible In addition to all the characters who we've previously discussed, there are also several other people mentioned over the course of the play. Some of these names are useful to know because they give context to character relationships that shape how events unfold in The Crucible (for instance, James Bayley is the brother-in-law of Putnam who was passed over for minister of Salem due to opposition by other townspeople, including Francis Nurse, which causes bad blood between the two families). Some of the other names might be useful if your teacher asks you to list off people accused of witchcraft over the course of the play, or to list people who accused others of witchcraft. Whatever the reason, if you want a list of every name mentioned in The Crucible, we're here for you: see below for the nittiest-of-the-grittiest table of all the named people in The Crucible. Name Description Citation Mr. Collins Reports seeing Betty Parris flying. p. 12 Ingersoll Owns the barn over which Betty Parris is said to have flown. p. 12 James Bayley Brother-in-law of Thomas Putnam who was prevented from becoming minister of Salem by â€Å"a faction† (including Francis Nurse family). p. 13 John Putnam Brother of Thomas Putnam who helped Thomas jail George Burroughs. p. 14 George Burroughs Minister of Salem jailed for debts he didn’t owe by Thomas and John Putnam (possibly out of spite because Burroughs became minister where Bayley wasn’t able to) p. 14 Edward Putnam Signer of the first complaint against Rebecca Nurse; brother of Thomas Putnam. p. 25 Jonathan Putnam Signer of the first complaint against Rebecca Nurse; brother of Thomas Putnam. p. 25 Goody Howe Accused of being a witch by Betty Parris. p. 45 Martha Bellows Accused of being a witch by Betty Parris. p. 45 Goody Sibber Accused of being a witch by Abigail Williams. p. 45 Alice Barrow Accused of being a witch by Betty Parris. p. 45 Goody Hawkins Accused of being a witch by Abigail Williams. p. 46 Goody Bibber Accused of being a witch by Betty Parris. p. 46 Goody Booth Accused of being a witch by Abigail Williams. p. 46 Jonathan [Proctor] Son of Elizabeth and John Proctor. Is not the person who snared the rabbit eaten for dinner by John and Elizabeth in Act 2. p. 48 Walcott Father or other relative of Susanna Walcott. Accuses Martha Corey of witchcraft against his pigs. p. 68 Judge Stoughton Judge at the Salem witch trials. p. 86 Judge Sewall Judge at the Salem witch trials. p. 86 Mr. Lewis Father of Mercy Lewis; reports he thought his daughter was staying over with Abigail Williams for a night. p. 6 Isaac Ward Drunk Salem resident hanged as a witch; John Proctor is compared favorably to him. p. 7 Goody Ballard Named by Elizabeth Proctor as someone who confessed to being a witch. p. 124 Isaiah Goodkind Named by Elizabeth Proctor as someone who confessed to being a witch. p. 124 Common Discussion Topics for The Crucible Characters Now you know all about the characters in The Crucible. But what might you be asked about them? Here are some common essay questions/discussion topics about characters in The Crucible. Practice answering them for yourself to gain a deeper understanding of the play (even if your teachers don't end up asking you these specific questions). Choose a character who you think might represent a certain "type" of person. In your essay, argue which type of person this character represents. Use evidence from the play to support your claims. Be sure to explain why Arthur Miller might have chosen to have this character represent this type of person. Compare and contrast Elizabeth Proctor and Abigail Williams. How is each woman affected by her position in the Puritan theocracy of Salem? How do different characters serve as foils for each other (e.g. Elizabeth and Abigail, Hale and Danforth)? How do characters change throughout the play, namely John Proctor, Mary Warren, and Reverend Hale? How does John and Elizabeth Proctor’s relationship drive the play? Choose one character from The Crucible. Then, argue whether their actions throughout the drama are selfish or sacrificial. Are they heroic or villainous? Was Proctor’s decision not to confess foolish or noble? Is John Proctor a tragic hero? Is The Crucible as a whole a tragedy? How does John Proctor’s dilemma change over the course of the play? Can we fully blame Abigail for the events in the play? For more about how to write effectively about the characters of The Crucible, be sure to read our article on character analysis in The Crucible. What’s Next? Looking for specific character analyses from The Crucible? We’ve got detailed guides to John Proctor, Abigail Williams, Mary Warren, Giles Corey, and Rebecca Nurse on our blog. Want a rundown of the play's action? Then be sure to read our full plot summary of The Crucible. Are you wondering, â€Å"What themes does this play cover? Is McCarthyism somehow involved?† Find out with our discussions of The Crucible themes and McCarthyism in The Crucible! 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